ROMUALD HAZOUMÈ: MY BLUE PERIOD 8th October - 21st NovemberROMUALD HAZOUMÈ: MY BLUE PERIOD 8th October - 21st NovemberOCTOBER GALLERY AT 1:54 LONDON BOOTH S7 & S8 15th – 18th October, 2026 South Wing, Somerset House, LondonOCTOBER GALLERY AT 1:54 LONDON BOOTH S7 & S8 15th – 18th October, 2026 South Wing, Somerset House, London
ROMUALD HAZOUMÈ: MY BLUE PERIOD 8th October - 21st NovemberROMUALD HAZOUMÈ: MY BLUE PERIOD 8th October - 21st NovemberOCTOBER GALLERY AT 1:54 LONDON BOOTH S7 & S8 15th – 18th October, 2026 South Wing, Somerset House, LondonOCTOBER GALLERY AT 1:54 LONDON BOOTH S7 & S8 15th – 18th October, 2026 South Wing, Somerset House, London
 

CURRENT EXHIBITION

8th October - 21st November
Romuald Hazoumè, Autlan de Navarro, 2024/25. Found objects, 50 x 60 x 18 cm.
Romuald Hazoumè, Autlan de Navarro, 2024/25.
Found objects, 50 x 60 x 18 cm.
Romuald Hazoumè Thal, 2024-25.Found objects, 38 x 44 x 18 cm.
Romuald Hazoumè Thal, 2024-25.
Found objects, 38 x 44 x 18 cm.
October Gallery presents My Blue Period, a solo exhibition by the internationally renowned artist Romuald Hazoumè, which coincides with 1-54 Contemporary African Art Fair and Frieze London.

Romuald Hazoumè revisits his iconic masques bidons (Fr. bidon* – flask, container, bottle)—presenting a striking series of masks made from repurposed plastic containers that are animated by an eclectic array of found materials. Wittily imagined as portraits of figures inhabiting particular places in the contemporary geo-political landscape, these new sculptures come freighted with Hazoumè’s biting commentaries on current issues of global concern. Displaying his wicked eye for detail, each mask dances before our eyes enlivened by his irreverent sense of humour. Hazoumè’s ironic avatars offer timely reflections on the precarious nature of the world we all inhabit.

Creating ‘masks’ from plastic containers, the majority of which are blue in colour, allows Hazoumè to play with associations, such as Picasso and ‘the Blues’. Somehow, these blue masks seem to penetrate deeper still, adopting darker, more ominous tones, reflecting anxieties fed by the many interconnected crises of the present day.

Hazoumè’s work is well known for addressing such complex matters as slavery (historical and modern), migration and the brutal realities developing in postcolonial Africa. Once again, these powerful works, taken collectively, underline Hazoumè’s willing acceptance of the artist’s responsibility to confront patent abuses of authority while speaking truth to power.
 

FORTHCOMING EXHIBITION

26th November, 2026 – 16th January, 2027
Rafael Trelles, Caliban II, 2025. Oil on linen, 121.92 x 91.44 cm
Rafael Trelles, Caliban II, 2025.
Oil on linen, 121.92 x 91.44 cm
Rafael Trelles, Caliban XII, 2026. Oil on linen, 50.8 x 76.2 cm
Rafael Trelles, Caliban XII, 2026. Oil on linen, 50.8 x 76.2 cm
October Gallery presents Caliban, the second solo exhibition by Puerto Rican artist Rafael Trelles. In this powerful new series, Trelles transforms one of Shakespeare’s most contested characters into a potent symbol of Indigenous resistance to colonial domination. Known for his dreamlike, magico-mythical paintings, Trelles creates richly layered worlds in which light, shadow, flora and fauna converge. At the centre of this exhibition is Caliban, the original inhabitant of the island in Shakespeare’s The Tempest, whose land and freedom are seized by the exiled Duke Prospero. Trelles radically reverses Shakespeare’s perspective, presenting Caliban not as a ‘savage’ subject to be controlled, but as a figure of dignity, resilience and agency.

Drawing on the writings of Cuban intellectual Roberto Fernández Retamar, Trelles explores the connections between ‘Caliban’, ‘cannibal’ and ‘Caribe’, linking the character to the Indigenous peoples of the Caribbean. This historical and linguistic resonance becomes deeply personal for the artist, who states: “In this precise sense, I am Caliban.”

Across these ethereal paintings, Caliban exists in profound harmony with his environment, while Prospero represents an external, objectifying force that seeks to classify and control. Trelles instead imagines nature as a space of symbiosis and belonging.

Caliban connects the colonial history of the Caribbean with contemporary questions of identity, migration, racism and cultural displacement, offering a poetic meditation on land, memory and the right to define one’s own story.
 

 

RECENT EXHIBITIONS

3rd September - 3rd October 2026
Zana Masombuka, Nges’rhodlweni: Is’memo 3, 2023. Giclée print on Hahnemühle FineArt Baryta 325 gsm paper. 84 x 56 cm 97 x 69 cm (framed).
Zana Masombuka, Nges’rhodlweni: Is’memo 3, 2023. Giclée print on Hahnemühle FineArt Baryta 325 gsm paper. 84 x 56 cm 97 x 69 cm (framed).
Benji Reid, The Proposition, 2020. Giclée print. 100 x 95 cm.
Benji Reid, The Proposition, 2020. Giclée print. 100 x 95 cm.

October Gallery presents selected photographic works by South African artist Zana Masombuka, which bring together compelling works from different series deeply rooted in her Ndebele culture. In the gallery's second space, a Spotlight is placed on poignant works by award-winning photographer and multi-disciplinary artist Benji Reid.

Zana Masombuka will display key works from various series which speak of stories on identity, culture, modernity, technology and ritual from the perspective of a 21st-century Ndebele Woman. This dynamic presentation will feature selected works from Nges’rhodlweni: A Portal for Black Joy, Ubonani: What Do You See?, Time: Gadesi S'khathi, Proudly South African, Namba S'khambe and Akhulumile Amabhudango: Scenes from Dreams – ‘Journeys with Kosabo’. Together, this powerful exhibition explores perception, memory, spirituality and the enduring relationship between land, identity and ancestral knowledge.

Reid’s breathtaking photographs, composed primarily of self-portraits in incredible, anti-gravitational poses with a medley of props, draw the audience into a different dimension. In the hyper-realities he presents the subject as liberated by acts of the artist’s imagination. Whether exploring life as an outsider, issues surrounding mental health, or complexities of fatherhood, Reid makes the audience part of the discussion. These sublime and sensitive images draw from his well of life experiences, explore vulnerability, tragedy and triumph through the photographer’s lens.

 
2nd July - 15th August 2026
Xanthe Somers, Never an end to holding, 2026. Glazed stoneware, 110 x 60 x 60 cm.
Xanthe Somers, Never an end to holding, 2026.
Glazed stoneware, 110 x 60 x 60 cm.
Yacout Hamdouch, Fertile Rainbow I, 2026. Acrylic on canvas, 100 x 110 cm.
Yacout Hamdouch, Fertile Rainbow I, 2026.
Acrylic on canvas, 100 x 110 cm.
In July, October Gallery continues its season of Contemporary African Art with an exhibition that pairs stimulating new works by Zimbabwean ceramicist, Xanthe Somers, with colourful paintings by Moroccan artist Yacout Hamdouch, who is exhibiting at the gallery for the first time. In our second gallery space, a Spotlight on selected photographic works by internationally renowned photographer, James Barnor, complements this vital and energetic exhibition.

Xanthe Somers presents Carer, Cleaner, Mother, Maker, a series exploring women’s labour, colonial histories and eco-racist practices in the Global South. Combining pottery, basketry and textiles, Somers develops a distinctive visual language inspired by Zimbabwean weaving traditions. Her hand-coiled ceramic forms are punctured, distorted and painted, referencing grass basketry, blankets and domestic textiles associated with care and labour. Through these works, she highlights the often-overlooked stories carried within women’s craft traditions while using weaving as a metaphor for social cohesion and its fragility.

Yacout Hamdouch exhibits works from her series Poetic Landscapes and Fertile Rainbows, exploring memory, emotion and human connection through layered compositions of colour and form. Organic shapes subtly referencing the female body move between abstraction and landscape, evoking fleeting experiences and emotional states.

The exhibition is further enriched by photographs by James Barnor, whose seven-decade career documented newly independent Ghana and 1960s London. His celebrated images capture African identity, culture and diaspora histories, and continue to inspire generations of photographers today.
 




   
October Gallery exhibitions supported by: Supported using public funding by Arts Council England TFA London - Total Fine Art Solutions