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ZANA MASOMBUKA / SPOTLIGHT: BENJI REID 3rd September - 3rd October 2026ZANA MASOMBUKA / SPOTLIGHT: BENJI REID 3rd September - 3rd October 2026
ZANA MASOMBUKA / SPOTLIGHT: BENJI REID 3rd September - 3rd October 2026ZANA MASOMBUKA / SPOTLIGHT: BENJI REID 3rd September - 3rd October 2026
 

FORTHCOMING EXHIBITIONS

3rd September - 3rd October 2026
Zana Masombuka, Nges’rhodlweni: Is’memo 3, 2023. Giclée print on Hahnemühle FineArt Baryta 325 gsm paper. 84 x 56 cm 97 x 69 cm (framed).
Zana Masombuka, Nges’rhodlweni: Is’memo 3, 2023. Giclée print on Hahnemühle FineArt Baryta 325 gsm paper. 84 x 56 cm 97 x 69 cm (framed).
Benji Reid, The Proposition, 2020. Giclée print. 100 x 95 cm.
Benji Reid, The Proposition, 2020. Giclée print. 100 x 95 cm.

October Gallery presents selected photographic works by South African artist Zana Masombuka, which bring together compelling works from different series deeply rooted in her Ndebele culture. In the gallery's second space, a Spotlight is placed on poignant works by award-winning photographer and multi-disciplinary artist Benji Reid.

Zana Masombuka will display key works from various series which speak of stories on identity, culture, modernity, technology and ritual from the perspective of a 21st-century Ndebele Woman. This dynamic presentation will feature selected works from Nges’rhodlweni: A Portal for Black Joy, Ubonani: What Do You See?, Time: Gadesi S'khathi, Proudly South African, Namba S'khambe and Akhulumile Amabhudango: Scenes from Dreams – ‘Journeys with Kosabo’. Together, this powerful exhibition explores perception, memory, spirituality and the enduring relationship between land, identity and ancestral knowledge.

Reid’s breathtaking photographs, composed primarily of self-portraits in incredible, anti-gravitational poses with a medley of props, draw the audience into a different dimension. In the hyper-realities he presents the subject as liberated by acts of the artist’s imagination. Whether exploring life as an outsider, issues surrounding mental health, or complexities of fatherhood, Reid makes the audience part of the discussion. These sublime and sensitive images draw from his well of life experiences, explore vulnerability, tragedy and triumph through the photographer’s lens.

 
8th October - 21st November
Romuald Hazoumè, Autlan de Navarro, 2024/25. Found objects, 50 x 60 x 18 cm.
Romuald Hazoumè, Autlan de Navarro, 2024/25.
Found objects, 50 x 60 x 18 cm.
Romuald Hazoumè Thal, 2024-25.Found objects, 38 x 44 x 18 cm.
Romuald Hazoumè Thal, 2024-25.
Found objects, 38 x 44 x 18 cm.
October Gallery presents My Blue Period, a solo exhibition by the internationally renowned artist Romuald Hazoumè, which coincides with 1-54 Contemporary African Art Fair and Frieze London.

Romuald Hazoumè revisits his iconic masques bidons (Fr. bidon* – flask, container, bottle)—presenting a striking series of masks made from repurposed plastic containers that are animated by an eclectic array of found materials. Wittily imagined as portraits of figures inhabiting particular places in the contemporary geo-political landscape, these new sculptures come freighted with Hazoumè’s biting commentaries on current issues of global concern. Displaying his wicked eye for detail, each mask dances before our eyes enlivened by his irreverent sense of humour. Hazoumè’s ironic avatars offer timely reflections on the precarious nature of the world we all inhabit.

Creating ‘masks’ from plastic containers, the majority of which are blue in colour, allows Hazoumè to play with associations, such as Picasso and ‘the Blues’. Somehow, these blue masks seem to penetrate deeper still, adopting darker, more ominous tones, reflecting anxieties fed by the many interconnected crises of the present day.

Hazoumè’s work is well known for addressing such complex matters as slavery (historical and modern), migration and the brutal realities developing in postcolonial Africa. Once again, these powerful works, taken collectively, underline Hazoumè’s willing acceptance of the artist’s responsibility to confront patent abuses of authority while speaking truth to power.
 

 

RECENT EXHIBITIONS

2nd July - 15th August 2026
Xanthe Somers, Never an end to holding, 2026. Glazed stoneware, 110 x 60 x 60 cm.
Xanthe Somers, Never an end to holding, 2026.
Glazed stoneware, 110 x 60 x 60 cm.
Yacout Hamdouch, Fertile Rainbow I, 2026. Acrylic on canvas, 100 x 110 cm.
Yacout Hamdouch, Fertile Rainbow I, 2026.
Acrylic on canvas, 100 x 110 cm.
In July, October Gallery continues its season of Contemporary African Art with an exhibition that pairs stimulating new works by Zimbabwean ceramicist, Xanthe Somers, with colourful paintings by Moroccan artist Yacout Hamdouch, who is exhibiting at the gallery for the first time. In our second gallery space, a Spotlight on selected photographic works by internationally renowned photographer, James Barnor, complements this vital and energetic exhibition.

Xanthe Somers presents Carer, Cleaner, Mother, Maker, a series exploring women’s labour, colonial histories and eco-racist practices in the Global South. Combining pottery, basketry and textiles, Somers develops a distinctive visual language inspired by Zimbabwean weaving traditions. Her hand-coiled ceramic forms are punctured, distorted and painted, referencing grass basketry, blankets and domestic textiles associated with care and labour. Through these works, she highlights the often-overlooked stories carried within women’s craft traditions while using weaving as a metaphor for social cohesion and its fragility.

Yacout Hamdouch exhibits works from her series Poetic Landscapes and Fertile Rainbows, exploring memory, emotion and human connection through layered compositions of colour and form. Organic shapes subtly referencing the female body move between abstraction and landscape, evoking fleeting experiences and emotional states.

The exhibition is further enriched by photographs by James Barnor, whose seven-decade career documented newly independent Ghana and 1960s London. His celebrated images capture African identity, culture and diaspora histories, and continue to inspire generations of photographers today.
 
21st May - 27th June 2026
Sokari Douglas Camp, Copper Palm Tree, 1991. Mild steel, copper, 330 x 122 x 126 cm. with Calico Red Skirt, 2026 and Calico Green Skirt, 2026.
Sokari Douglas Camp, Copper Palm Tree, 1991. Mild steel, copper, 330 x 122 x 126 cm. with Calico Red Skirt, 2026 and Calico Green Skirt, 2026.
Sokari Douglas Camp, Alapu Awome: Chief’s Children, 2026. Mild steel, acrylic paint, gold leaf, 81.5 x 55.5 x 35 cm.
Sokari Douglas Camp, Alapu Awome: Chief’s Children, 2026.
Mild steel, acrylic paint, gold leaf, 81.5 x 55.5 x 35 cm.
This May, internationally renowned artist and sculptor, Sokari Douglas Camp CBE opens a new solo exhibition of striking sculptures at October Gallery. Titled Fashion and Fortune, the artist brings together large and smaller scale steel sculptures alongside selected prints. Douglas Camp, as in previous exhibitions, mines the historical records of earlier visual artists to examine power, commerce and colonialism within a broad Caribbean and, by extension, African context.

Drawing inspiration from Robert S. DuPlessis’ book The Material Atlantic, Douglas Camp explores clothing, commerce and emblems of wealth as reflected in fashion and dress. Through intricate metal figures, elaborate headdresses, and the incorporation of coins, the artist highlights both the oppression embedded in colonial systems and the creativity with which marginalized people reasserted identity and status. Furthermore, by delving into her own Nigerian family’s complex dress code, Douglas Camp deftly plays upon imbuing fabrics and modes of dress with new meanings. With these exhilarating new works presenting an impressive selection of motifs including dazzling displays of flowers and fruit, including a lively depiction of the tropical pineapple, she observes how people of diverse ethnicities, social positions and occupations impacted the emergence of a distinctive sartorial culture across the Atlantic world.

These latest sculptures tease out the complex intertwining histories of trade, colonialism and lineage, while simultaneously celebrating the resilience of the people of Africa and the African diaspora throughout the globe.