<h2>RACHID KORAÏCHI<br>Tears that Taste of the Sea<br>Opening Spring 2021<h2><h2>DREAM NO SMALL DREAM: The Story of October Gallery<br>Available to purchase from our Book Store, £40 +P&P</h2>304 pages, full colour plates throughout. Edited by Gerard Houghton.

October Gallery is currently closed due to Covid-19 measures.

During the lockdown period staff will be working remotely Monday - Friday,
please do not hesitate to contact October Gallery directly.
We will continue to update you with news via our social media, website and newsletters.

For art sales, please contact Elisabeth art@octobergallery.co.uk


2  October – Now extended to 13 February 2021
Alexis Peskine, Safara (Fire/Hell), 2020.
Gold leaf, nails, coffee and earth on lumber core wood,
150 x 110 cm.
Alexis Peskine, Sequita, 2020.
Red gold leaf, nails, Havana Ochre, coffee, earth and hibiscus on lumber core wood, 220 x 198 cm.
October Gallery is pleased to announce an exhibition of new works by Alexis Peskine, entitled Fire Figures. This much anticipated show follows on from Power Figures, Peskine's highly successful debut show at October Gallery, in 2017.

Alexis Peskine’s signature works are large-scale mixed media ‘portraits’ of archetypes from the African diaspora, which are rendered by hammering nails of different gauge, with pin-point accuracy, into wood stained with natural materials such as coffee, mud and hibiscus extract. By applying gold leaf to the nails, he creates breath-taking composite images. Peskine depicts figures that portray strength and perseverance, charged with an energy reminiscent of the spiritually laden minkisi - ‘power figures’ - of the Congo Basin. His particular choice of the medium of nails resonates with sombre tones of the Black Experience, spanning the scale of qualities running from pain to transcendence.

Fire Figures recapitulates and expands upon the conceptual framework deployed in the previous Power Figures series. These striking new works explore the ongoing frustrations experienced by all those of the African Diaspora who continue to encounter endemic systems of racism and violence. All through his life, Peskine has ‘always felt the fire of injustice’ burning close by, a fire which fuels his work and spurs him on. However, he notes, the element of fire also represents an opportunity for cleansing and transformative change. Peskine's depicted subjects seem to see this change, right in front of them, palpably present, yet still unrealised.


Opening Spring 2021
Rachid Koraïchi, from the series Lachrymatoires Bleues - Blue Lachrymatory Vases, 2020.
Ceramic with cobalt oxide glaze, 51 x 32 x 32 cm each.
Rachid Koraïchi, from the series Handkerchiefs of Hope (of set of 7), 2020. Acrylic on canvas, 27 x 22 cm.

Tears that Taste of the Sea, an exhibition of new works by Rachid Koraïchi, will open at October Gallery in January, 2021. The exhibition presents a select sampling of Koraïchi’s works in different media created during this past year of global crisis, and includes seven blue and white ceramic vases from the Lachrymatoires Bleues series, three sets of seven paintings from the Handkerchiefs of Hope series, three large steel sculptures representing vigilant guardian figures and one large etching, Le Jardin d’Afrique. In formal terms, the diverse works are linked together by the figures, glyphs and symbols of Koraïchi’s signature style of hand-drawn characters. Thematically speaking, they are related by their emphasis on the innumerable tears shed mourning the loss of loved ones, for reasons of displacement, migration and disaster, or the harrowing effects of the present pandemic. This exhibition marks the first time these four elements of The Garden of Africa, Koraïchi's significant new project to create a cemetery in Southern Tunisia for the many migrants drowned while crossing the Mediterranean in search of a better life, are displayed together.




How El Anatsui Broke the Seal on Contemporary Art
(The New Yorker. 11 Jan 2020)
Read Julian Lucas' piece for the
New Yorker on El Anatsui

"His runaway success began with castaway junk: a bag of bottle caps along the road. Now the Ghanaian sculptor is redefining Africa’s place in the global art scene."

From the touring exhibition Triumphant Scale to Anatsui's studio in Nsukka, Lucas explores the artist's life, process and works in incredible depth
Photo: The New Yorker
Eddy Kamuanga Ilunga named in Apollo Magazine 40 Under 40 Africa
The accolade celebrates artists, thinkers, business leaders and advocates who have pioneered arts from Africa and the Diaspora.

You can view Eddy's artist page here
Eddy Kamuanga Ilunga, Mémoire Fragile 1, 2020.
Acrylic and oil on canvas, 200 x 200 cm
James Barnor receives Honorary Fellowship from The Royal Photographic Society
James Barnor is amongst the luminaries of the photography world being honoured for their innovation and outstanding contributions to the photographic medium. Now in its 142nd year, the RPS Awards consist of eighteen categories that cover art, science, education, film and publishing.
Photo: Jonathan Greet, 2016.
October Gallery Podcast
Alexis Peskine in conversation with the curator, Dee Haughney.
In October Gallery's debut podcast, artist Alexis Peskine is interviewed by the curator, Dee Haughney. This interview was part of our first Instagram Live OG Late, which took place on 24th May, 2020. Listen in as Alexis explores his practice, talks about his most recent residencies and discusses his new body of works.
Alexis Peskine, Novas Linguagens Do Mundo, 2019. Nails, gold leaf, clay, annatto and coffee over wood,
200 x 200 cm.
Benji Reid announced as cover artist for Trebuchet Eight
October Gallery is pleased to announce that Benji Reid has been chosen as the cover artist for Trebuchet, the articulate and stylish Art publication. Featuring an in-depth interview with Reid, the Eighth issue of the magazine explores the subject of Contemporary Surrealism.
Benji Reid, I had a dream, 2018.
Sokari Douglas Camp
'All the World is Now Richer'
Sokari Douglas Camp was recently interviewed by Jon Snow, on Channel 4 News, about her monumental work ‘All the World is Now Richer’, a memorial sculpture made to commemorate the abolition of slavery. This major piece consists of a line of life-sized figures representing the successive stages in the saga of slavery, while underlining the fact that people of slave heritage are brave, and possess both strength and dignity. Behind each individual figure extends a ‘shadow’ containing a phrase describing that specific stage, the whole building together to form one powerful statement. A permanent public placement is presently being sought for this timely and important piece.
Sokari Douglas Camp, All the World is Now Richer, 2012. Steel, 216 x 560 x 118 cm.
Dream No Small Dream:
The Story of October Gallery
Available to purchase from our online bookstore and Amazon
October Gallery celebrated 40 years of artistic endeavour with a labour of love - producing a 304-page book surveying the art, events, people and ideas that have driven the Gallery’s development since it first opened its doors, in 1979. Weaving together essays, archival material and a wealth of colour plates, Dream No Small Dream gives a fascinating overview of the interconnecting forces that transformed the Gallery from a start-up project in central London to an acknowledged player on the global stage of the contemporary art world.
Spaceship Earth
Released for streaming
Matt Wolf’s documentary 'Spaceship Earth', which premiered at this year’s Sundance Film Festival – charts the determination of a group of countercultural visionaries who used art and community to foster a connection with nature.

The film explores how, in 1984, the Institute of Ecotechnics helped initiate the Biosphere 2 project in Oracle, Arizona. October Gallery operates as one of a series of international projects developed by the Institute of Ecotechnics. More about Biosphere 2 can be read in 'Dream No Small Dream: The Story of October Gallery.'

The film has now been released for streaming at home.
The eight Biospherians.



Bloomsbury, London

October Gallery has been instrumental in bringing to worldwide attention many of the world’s leading international artists, including El Anatsui, Rachid Koraïchi, Romuald Hazoumè, Nnenna Okore, Laila Shawa and Kenji Yoshida. The Gallery promotes the Transvangarde, the very best in contemporary art from around the planet, as well as maintaining a cultural hub in central London for poets, writers, intellectuals and artists, and hosts talks, performances and seminars, see www.octobergallery.co.uk/events

The rich diversity of art presented is an inspiration to collectors and enthusiasts. Institutions such as the British Museum, London; the Metropolitan Museum of Art, New York; Centre Pompidou, Paris; Museum Kunstpalast, Düsseldorf, Germany; Neue Galerie, Kassel, Germany; Setagagya Art Museum, Tokyo, Japan have all collected works from October Gallery.

Founded in 1979, October Gallery is a charitable trust which is supported by sales of art, rental of the Gallery's unique facilities, grants from various funding bodies and the active support of dedicated artists, musicians, writers and many friends from around the world. The Gallery’s Education Department is inclusive of all ages from under 5’s to PGCE student and delivers a wide range of provision, see www.octobergalleryeducation.com

October Gallery is open from 12:30 to 17:30 pm, Tuesday to Saturday.
The Gallery is closed during official holidays and the entire month of August.