30 MAY – 29 JUNE 2024</h2>
30 MAY – 29 JUNE 2024</h2>
30 MAY – 29 JUNE 2024</h2>
30 MAY – 29 JUNE 2024</h2>
<h2>ROMUALD HAZOUMÈ at the 60th Venice Biennale<br>
20th April – 24th November, 2024</h2>
Photo © Jacopo La Forgia.<h2>ROMUALD HAZOUMÈ at the 60th Venice Biennale<br>
20th April – 24th November, 2024</h2>
Photo © Jacopo La Forgia.<h2>EDDY KAMUANGA ILLUNGA<br>Available from our Book Store, £45.95 + P&P</h2>248 pages, 200 full colour plates throughout. Published by Rizzoli.<h2>DREAM NO SMALL DREAM: The Story of October Gallery<br>Available from our Book Store, £40 + P&P</h2>304 pages, full colour plates throughout. Edited by Gerard Houghton.


30 May – 29 June 2024
Matheus Marques Abu, O oceano oferece um reflexo mais íntimo de quem somos do que qualquer espelho (The ocean offers a more intimate reflection of who we are than any mirror), 2024.
Acrylic on canvas. 150 x 150 cm.
Theresa Weber, Stream Of Consciousness, 2024.
Silicone, foam clay, acrylic paste, varnish, beads, acrylic nails, mosaic stones on wood board, 200 x 160 cm.

Emergent Energies presents a selection of innovative artwork by: Theresa Weber, Matheus Marques Abu, Dafe Oboro, Gosette Lubondo, Eyasu Telayneh and Zana Masombuka. Comprising photographic works, paintings and sculpture, the exhibition highlights the vitality that each of these young artists brings to their work.
Theresa Weber's multi-media installations are an absorbing blend of cultural, historical and mythological references that reflect her conceptual approach to the ever-changing nexus of identity. Influenced by the writings of the Caribbean postcolonial theorist and poet, Édouard Glissant, she examines the complexities of cultural reinvention using motifs borrowed from nature. Her practice blurs the boundary between sculpture and performance.

The paintings of Matheus Marques Abu are influenced by his ancestry, spirituality and the daily lives of those of the African diaspora in Brazil. Focusing on the Atlantic Ocean as a site of memory, Marques Abu explores the interwoven colonial and Afro-Atlantic histories, by placing the sea, nature and the Ghanaian Adinkra ideograms as central figures within his work.

Working mainly in photography and film allows artist Dafe Oboro to explore a multifaceted approach to storytelling. Drawing upon fashion motifs and popular culture, Oboro uses sound and imagery to contemplate questions of masculinity, movement across time and space and the socio-political state of contemporary Nigeria.

Emergent Energies includes photographic works by Gosette Lubondo, a rising star of contemporary African photography. Lubondo’s contemplative photographs explore memory, time and heritage.

Eyasu Telayneh creates captivating abstract paintings filled with his reflections on contemporary life in the vibrant cultural hub of Addis Ababa, Ethiopia. His passion for mathematics adds further impetus to the colours appearing in these paintings, which balance gestural strokes with geometric lines and forms to create dynamic compositions.

Lastly, photographic works by Zana Masombuka - a.k.a. ‘Ndebele Superhero’ - a South African visual artist will be shown. In her series entitled, 2009: Namba S’khambe, she explores the politics of a ‘seat at the table’ and how capitalism and inequity inform the dynamics of engagement for all institutional paradigms.



4 July – 3 August 2024
Ablade Glover, Market Profile, 2018.
Oil on canvas. 127 x 101 cm.
Ablade Glover, Market Profile, 2019.
Oil on canvas. 152 x 152 cm.
In celebration of the artist’s 90th birthday, October Gallery is delighted to present a solo exhibition of new paintings by Professor Ablade Glover. In a career spanning more than seven decades, Ablade Glover’s many honours and distinctions underline his importance as artist, educator and curator both in Ghana and internationally. Not only by his teaching and mentoring, which have inspired generations of artists coming to the forefront today, but also by his continually developing practice as a painter, has Ablade Glover helped shape the current course and future pathways of Ghanaian art.

Glover’s inimitable canvases celebrate, in vivid colours, the richly visual splendours of his native country. Using warm primary pigments, expressive of an intense solar heat, Glover depicts the vibrant scenes and spectacles playing out daily on the shimmering streets of Accra. He portrays the hidden spirit of the place – the energetic market stalls, the lorry parks and the brightly-attired crowds. Selecting the palette knife rather than the brush as his instrument of choice, Glover applies his oils skilfully, in a thick impasto that, when seen close to, reduces the restless Brownian motion of the bustling masses into a riotous wash of gloriously coloured abstraction.

In 1982, Ablade Glover was the first artist from sub-Saharan Africa to exhibit at October Gallery. Since then, the Gallery has devoted ten solo shows to the colourful and always energetic canvases of this acclaimed master of oil-on-canvas painting. Glover’s latest show, Inner Worlds, Outer Journeys, traces an arc of development, which his younger self, setting out on a journey of inner and outer discoveries, might not have imagined he could ever achieve as part of the unfolding tapestry of an accomplished life in art.



ROMUALD HAZOUMÈ at the 60th Venice Biennale
20th April – 24th November, 2024
Romuald Hazoumè has been selected as one of the four major artists to represent The Republic of Benin for the 60th edition of La Biennale di Venezia.

Entitled Everything Precious Is Fragile, this exhibition will explore the rich history of Benin, touching on themes such as the slave trade, the Amazon motif, spirituality and the Vodun religion. These themes are tied together by Benin's exploration of African feminism and pay tribute to women's versatility whilst envisioning a world where differences are seen as a source of richness and strength.

Acclaimed worldwide for his masks made from used plastic petrol cans, Romuald Hazoumè is an artist whose work is firmly rooted in Benin's social, political and cultural context and the globalized world.
Photo: © Jonathan Greet, 20016.
EL ANATSUI at the Royal Academy of Arts Summer Exhibition 2024
18th June – 18th August, 2024
El Anatsui’s new workContinents in Gestation, will be shown at The Royal Academy’s 256th Summer Exhibition.

The Summer Exhibition is a celebration of contemporary art and architecture and provides a vital platform and support for the artistic community—this year will explore the idea of making space.

Held since 1769, the Summer Exhibition displays works in a variety of mediums and genres by emerging and established artists.
Photo: © Jonathan Greet, 2013.
EL ANATSUI at Talbot Rice Gallery
29th June – 29th September, 2024
Talbot Rice Gallery presents a major exhibition of El Anatsui, spanning five decades of his work and extending to the building’s façade, transforming it into an open-air gallery this summer. Titled El Anatsui ‘Scottish Mission Book Depot Keta', the exhibition will showcase a substantial selection of Anatsui’s iconic large-scale sculptural wall hangings made from reclaimed aluminium bottle tops. Additionally, the exhibition features a collection of carved wooden reliefs spanning over thirty years, as well as printed works on paper that narrate the intricate production process behind his monumental metal bottle tops installations.
El Anatsui, Nane,(detail), 2006.
Aluminium and copper wire, 270 x 380 cm. Private Collection.
Photo: Jonathan Greet.



Bloomsbury, London

October Gallery has been instrumental in bringing to worldwide attention many of the world’s leading international artists, including El Anatsui, Rachid Koraïchi, Romuald Hazoumè, Nnenna Okore, Laila Shawa and Kenji Yoshida. The Gallery promotes the Transvangarde, the very best in contemporary art from around the planet, as well as maintaining a cultural hub in central London for poets, writers, intellectuals and artists, and hosts talks, performances and seminars, see www.octobergallery.co.uk/events

The rich diversity of art presented is an inspiration to collectors and enthusiasts. Institutions such as the British Museum, London; the Metropolitan Museum of Art, New York; Centre Pompidou, Paris; Museum Kunstpalast, Düsseldorf, Germany; Neue Galerie, Kassel, Germany; Setagagya Art Museum, Tokyo, Japan have all collected works from October Gallery.

Founded in 1979, October Gallery is a charitable trust which is supported by sales of art, rental of the Gallery's unique facilities, grants from various funding bodies and the active support of dedicated artists, musicians, writers and many friends from around the world. The Gallery’s Education Department is inclusive of all ages from under 5’s to PGCE student and delivers a wide range of provision, see www.octobergalleryeducation.com

October Gallery is open from 12:30 to 17:30 pm, Tuesday to Saturday.
The Gallery is closed during official holidays and the entire month of August.

October Gallery Education supported by: