14 November, 2024 – 25 January, 2025
This latest series is a masterful blend of storytelling and symbolism, where each canvas helps to develop a shared narrative that uncovers a distinctly modern predicament. The almost surreal drama playing out before our eyes brings DRC’s traumatic history of exploitation by foreign powers right up to the present moment. The artist’s attention has moved beyond the horrific histories of Belgian colonial control to the contemporary situation where the neo-colonial powers have once again asserted control over the lives of ordinary Congolese people. To fulfil the insatiable demands of the computer industry and “green” battery production facilities, international companies are currently engaged in the rapid extraction of the Congo’s rich mineral resources, in particularly cobalt, copper, and coltan.
For many years, disturbing reports of deforestation, land pollution by wastewater spillages, contamination of drinking water and the restriction of local populations’ movements have become increasingly common. The harmful impacts of industrial mining processes on food production, human health and local biodiversity have been well-documented, particularly in Katanga in the Central part of the DRC, to where Kamuanga’s father and mother both trace their origins.
The paintings detail the awful cost in human life that our incessant demands for modern technology impose upon the unseen victims caught up in the consequences of industrial scale mining that takes little account of environmental destruction and human degradation. Burdened by the crushing weight of history, Kamuanga’s iconic figures bear the scars of a nation struggling to navigate the treacherous waters of neo-colonial exploitation, together with the erosion of a cultural heritage incapable of protecting the natural environment that, previously, had nurtured and sustained it.
