<h2>FREEDOM RISING: THE ART OF OWUSU-ANKOMAH</h2>
4 September – 4 October, 2025<h2>FREEDOM RISING: THE ART OF OWUSU-ANKOMAH</h2>
4 September – 4 October, 2025<h2>EL ANATSUI: 'Go Back and Pick'</h2>
9 October – 29 November, 2025.<h2>EL ANATSUI: 'Go Back and Pick'</h2>
9 October – 29 November, 2025.<h2>FREEDOM RISING: THE ART OF OWUSU-ANKOMAH</h2>
4 September – 4 October, 2025<h2>FREEDOM RISING: THE ART OF OWUSU-ANKOMAH</h2>
4 September – 4 October, 2025<h2>DREAM NO SMALL DREAM: The Story of October Gallery<br>Available from our Book Store. £40 + P&P</h2>304 pages, full colour plates throughout. Edited by Gerard Houghton.
 

CURRENT EXHIBITION

4 September – 4 October, 2025
Owusu-Ankomah.
Photo: © Jonathan Greet, 2014.
Owusu-Ankomah, Microcron Begins No.19, 2013.
Acrylic on canvas, 180 x 280 cm.
Following the passing of the acclaimed artist Owusu-Ankomah in February of this year, October Gallery presents an exhibition of selected core works from 2008 – 2014.

Freedom Rising: The Art of Owusu-Ankomah comprises intriguing large-scale paintings on canvas which depict an alternative world abounding with symbols and monumental human figures. Reflecting the artist’s own spiritual journey, the way in which these figures interact with the surrounding symbols has developed through several distinct phases over time. When starting out, Owusu-Ankomah’s work drew largely on ancient African traditions of rock painting and masquerade, before his figures shed their masks and became mute actors afloat in an ocean of signs. Employing a studied trompe l’oeil effect, the powerful figures’ finely sculpted bodies are themselves covered in similarly painted glyphs. These cause the figures to melt into the background forest of signs, where the hidden figures move within a symbolic realm that surrounds, supports and inevitably defines them. Originally, the accompanying signs were all derived from the adinkra symbol set embodying the traditional wisdom of the Akan people of Owusu-Ankomah’s native Ghana. However, over time symbols from other sources and diverse cultures have also been added, including many novel glyphs devised by the artist himself.

Owusu-Ankomah writes: For me, these paintings are all about the power of freedom: freedom of movement, freedom of self-expression, both as individuals and societies. I compose my paintings using the expressive power of the symbols themselves, taking full account of their deeper meanings, ensuring both visual and conceptual harmonies exist between the forms and the overall themes explored on each canvas.
 

FORTHCOMING EXHIBITION

9 October – 29 November, 2025.
El Anatsui, Passage of Time, 2023.
Tropical hardwood and tempera, 244 x 244 cm.
Photos: Jonathan Greet
El Anatsui, Untitled, 2024.
Tropical hardwood and tempera, 148 x 335 cm.
October Gallery, in collaboration with Goodman Gallery, is thrilled to present ‘Go Back and Pick’, an exhibition of new work by El Anatsui across two spaces in London. Opening in October, ‘Go Back and Pick’ coincides with Nigerian Modernism at Tate Modern, the first UK exhibition to trace the development of modern art in Nigeria.

El Anatsui’s internationally renowned sculptural experiments continue to challenge the way we look at sculpture today. Best known, during the first two decades of the 21st century, for his sumptuous, large-scale tapestries composed of recycled aluminium bottle tops, Anatsui here returns to his original and primary material of wood.

‘Go Back and Pick’ highlights Anatsui’s most recent wooden panel works, which mine this deep and productive seam. From the outset, Anatsui has always insisted on the broad range of freedoms discoverable within these sculptures. The modular nature and flexibility of the panel pieces allow for a range of spatially adaptive reconfigurations to the hanging sequence. Rather than having a fixed and final form, each panel piece can be rearranged to offer alternative combinations. As scholars Okwui Enwezor and Chika Okeke-Agulu note, the ‘form-shape and surface colour compositions are potentially free to be manipulated … uninhibited by whatever might have been the artist’s original composition.’
 

 

NEWS, EVENTS & RECOMMENDATIONS


GALLERY TALK: Freedom Rising: The Art of Owusu-Ankomah
Saturday, 13th September, 2025
3.00 – 4.30 pm
To accompany the exhibition Freedom Rising: The Art of Owusu-Ankomah, join Papa Essel, Artist and Gerard Houghton, Director of Special Projects at October Gallery, for a conversation exploring the complex paintings by the late Owusu-Ankomah.
Owusu-Ankomah, Microcron - Kusum No.4, 2011. Acrylic on canvas, 135 x 175 cm.
Book Offer
Owusu-Ankomah: Microcron Begins
To celebrate the exhibition Freedom Rising: The Art of Owusu-Ankomah, the comprehensive monograph Owusu-Ankomah: Microcron Begins is now available online and in-store for the special price of £20.

This richly illustrated 307-page volume offers insight into the artist’s visionary practice, presenting key works and writings that chart the development of his distinctive iconography. With parallel texts in German and English, the publication provides an essential resource for those interested in the artist’s exploration of symbolism, identity and the universal language of form.
Frieze Masters | Stand S03
15th – 19th October, 2025 The Regent's Park, London
In a first-time presentation of this Japanese artist’s work at Frieze Masters, October Gallery is delighted to exhibit paintings by Kenji Yoshida. Selected works from the 60s and 70s will highlight waypoints in the evolution of a unique synthesis of Japanese traditional and European modernist styles.
Kenji Yoshida, Croix dans le Coeur (Cross in the Heart), 1970. Mixed media on BFK rives paper, 62 x 47 cm.
1-54 London | Booth W1
16th – 19th October, 2025
Somerset House, London
October Gallery, London, presents works by LR Vandy, Alexis Peskine, Xanthe Somers, Zana Masombuka, Eddy Kamuanga Ilunga and Romuald Hazoumè at the 2025 edition of 1-54, London. The Gallery’s booth comprises arresting sculptural works, striking photography and vivid paintings.
Xanthe Somers, Common Threads, 2025. Glazed stoneware, 60 x 55 x 55 cm.
Alessandro Wang © Museum of Art Pudong. Courtesy of the Artist
EL ANATSUI: AFTER THE RED MOON
Museum of Art Pudong, Shanghai, China
30th September, 2024 – 7th October, 2025
El Anatsui: After the Red Moon has begun its highly anticipated world tour, making a global debut at the prestigious Museum of Art Pudong (MAP), Shanghai, where it will be on display until October 2025. El Anatsui’s cascading metal sculptures have dramatically transformed MAP's entrance lobby and Hall X, offering visitors an immersive experience of his masterful exploration of history, materiality and transformation. This global tour marks a significant milestone in Anatsui's career, and we congratulate him on this extraordinary achievement, which continues to captivate audiences around the world.

This exhibition was originally conceived and commissioned as the Hyundai Commission: El Anatsui: Behind the Red Moon for Tate Modern's Turbine Hall, London in 2023.
Installation view of El Anatsui: After the Red Moon, 2024.
Alessandro Wang © Museum of Art Pudong. Courtesy of the Artist
KENJI YOSHIDA exhibiting at From Ashes to Blossoms
15th July – 30th September, 2025
Ezen Foundation, London
The Ezen Foundation presents From Ashes to Blossoms, an exhibition in remembrance of the atomic bombings of Hiroshima and Nagasaki, 80 years ago. Curated by a third-generation survivor, this memorial tribute will focus on shared reflection and reciprocal understanding as essential pathways to Peace. Alongside historical memorabilia, artworks by Kenji Yoshida will also be shown. Conscripted as a kamikaze pilot in 1944, Yoshida’s life was saved, counterintuitively, by the atomic bombings of August, 1945, which brought the war to a rapid end. Returning to his interrupted artistic career, Yoshida became a passionate advocate for Peace.
Kenji Yoshida, Inochi To Heiwa (Life and Peace), 2007.
Oil and metals on canvas, 81 x 65 cm.
New catalogue:
AUBREY WILLIAMS: ELEMENTAL FORCE
Available now from our online store - £7.50 (+ P&P)
Exhibition catalogue published by October Gallery to accompany the exhibition Aubrey Williams: Elemental Force. Colour plates throughout with an essay by Gerard Houghton. 12 page softcover.

 

VISTING OCTOBER GALLERY

Bloomsbury, London

October Gallery has been instrumental in bringing to worldwide attention many of the world’s leading international artists, including El Anatsui, Rachid Koraïchi, Romuald Hazoumè, Nnenna Okore, Laila Shawa and Kenji Yoshida. The Gallery promotes the Transvangarde, the very best in contemporary art from around the planet, as well as maintaining a cultural hub in central London for poets, writers, intellectuals and artists, and hosts talks, performances and seminars, see www.octobergallery.co.uk/events

The rich diversity of art presented is an inspiration to collectors and enthusiasts. Institutions such as the British Museum, London; the Metropolitan Museum of Art, New York; Centre Pompidou, Paris; Museum Kunstpalast, Düsseldorf, Germany; Neue Galerie, Kassel, Germany; Setagagya Art Museum, Tokyo, Japan have all collected works from October Gallery.

Founded in 1979, October Gallery is a charitable trust which is supported by sales of art, rental of the Gallery's unique facilities, grants from various funding bodies and the active support of dedicated artists, musicians, writers and many friends from around the world. The Gallery’s Education Department is inclusive of all ages from under 5’s to PGCE student and delivers a wide range of provision, see www.octobergalleryeducation.com

October Gallery is open from 12:30 to 17:30 pm, Tuesday to Saturday.
The Gallery is closed during official holidays and the entire month of August.

October Gallery Cafe is open from 12:30 pm – 2:30 pm, Tuesday to Friday.


 

ACCESSIBILITY

There are two steps at the main entrance, each has a rise of 160mm and a 310mm tread (no handrail). The main entrance push door is 750mm wide.
Assisted or ramp access at the Gallery’s main entrance is available upon request.

Chairs can be found in the Gallery space.
The refectory is fully accessible by wheelchair.
Access to the courtyard has a 100mm ramp down coming from the corridor door.
There is also an accessible toilet in the Courtyard.

October Gallery is a Grade II listed building and therefore has no lift access to rooms above the ground floor. This includes the Theatre, the Clubroom and the first floor.

We welcome all visitors and will do our best to accommodate specific needs. Please do let us know in advance if there is anything in particular, we can help with. Call + 44 (0)20 7242 7367 or email gallery@octobergallery.co.uk preferably a day in advance.




GCC2024
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