HomeExhibitionsArtistsEventsEducationEducationEducationAbout UsContact
Founded in 1979, October Gallery, in central London, exhibits innovative, contemporary art from around the world. For over 40 years, October Gallery has pioneered the development of the Transvangarde - the trans-cultural avant-garde.

Exhibitions

Current Exhibition

Cosmo WhyteNkisi,
C-print, 152.4 x 101.6 cm.
Life Through Extraordinary Mirrors
Romuald Hazoumè, Cyrus Kabiru,
Eddy Kamuanga Ilunga , Zak Ové,
Alexis Peskine, LR Vandy, Cosmo Whyte
12 September - 23 November 2019

This September, Life Through Extraordinary Mirrors, a group exhibition at October Gallery features the work of Romuald Hazoumè, Eddy Kamuanga Ilunga, Cyrus Kabiru, Zak Ové, Alexis Peskine, LR Vandy and Cosmo Whyte. The show will include painting, sculpture and photography which all draw open themes of place, identity and human experience. These seven artists interweave their personal experiences with global realities to present an astute view on the world we live in.

view exhibition page

Most Recent Exhibitions

Ablade Glover, Lorry Station (Oh! Boys!), 2017.
Oil on canvas, 122 x 152.5 cm.
ABLADE GLOVER
Wogbe Jeke - We Have Come Along Way
4 July - 3 August 2019

October Gallery celebrates Ablade Glover’s 85th birthday with an exhibition of vibrant new works by the artist. In a career spanning over five decades as an exhibiting artist, Ablade Glover is one of Ghana’s foremost painters. This new exhibition will showcase his adoration for the effervescent energy of Ghana.
As both an artist and an educator, Professor Ablade Glover has had an important impact on contemporary arts, helping shape the future of Ghana’s art scene through not only his own practice, but through his teaching at institutions in Kumasi, Ghana.
Born in Accra in 1934, Ablade Glover occupies a significant place in Ghana’s contemporary art scene as both Founder and Director of the Artists Alliance Gallery. Trained in Ghana, Britain and the United States, Dr. Glover has accumulated a number of distinctions, which underline his significance as an artist and educator Until 1994 he was Associate Professor, Head of the Department of Art Education and Dean of the College of Art at the University of Science and Technology, Kumasi, Ghana.

view exhibition page
view_artists_page
LR Vandy, Black Dart, 2019.
Fibreglass, metal and plastic,
235 x 52 x 44 cm.
LR VANDY
HIDDEN

30 May - 29 Jun 2019

Following a sell-out debut at the 2018 edition of 1-54 London, LR Vandy’s highly anticipated exhibition features new works by the artist.

In the current Hull series, Vandy transforms model boat hulls into ‘masks’, animating them with various materials, including fishing floats, porcupine quills and acupuncture needles.
The hulls allude to the transportation of migrants as commodities. As masks they present a transformation of identity, drawing upon the tradition of talismans, charms and amulets. 

Her new work Railway also closely examines transport systems and their hidden human costs.  Vandy threads old model railway tracks across burnt wood of different depths, contained by brass borders.

Vandy continues to address the tension of opposing forms in her video work, Landscapes, in which two substances interact and mix in an extraordinary choreographic dance, forming a constantly shifting and changing visceral landscape.

The exhibition will include the sculpture series These Women, consisting of twenty-one individual sculptures to be cast in bronze or Jesmonite each one a different variation of bold geometric elements.

A large Jesmonite sculpture from the series Superhero Cog-Woman, specially made for the exhibition will be on display in October Gallery’s courtyard.

view exhibition page
view_artists_page
Kenji Yoshida, La Vie,1998.
Oils and metals on canvas, 46 x 38 cm.


Brion Gysin, Untitled. Ink on paper, 108 x 102 cm.
DREAM NO SMALL DREAM
Celebrating 40 Years of the Transvangarde
11 April - 25 May 2019

October Gallery celebrates the anniversary of 40 years of energetic activity in London with an exhibition of works by some of the Gallery’s major artists, including newly commissioned works. A special programme of events will run alongside the exhibition to mark the Gallery’s rich history.

Located in a 3-storey Victorian school building the Gallery opened, in 1979, with an exhibition of Gerald Wilde. From the beginning the Gallery’s aim was to discover a new visual sensibility: the Transvangarde, the cross-cultural avant-garde, exhibiting artists from around the planet.

The exhibition will include works by El Anatsui, William S. Burroughs, Paul Friedlander, Brion Gysin, Jukhee Kwon, Romuald Hazoumè, Eddy Kamuanga Ilunga, LR Vandy, Gerald Wilde, Aubrey Williams and Kenji Yoshida.

.

view exhibition page
Change in Fortune, 2018.
Aluminium and copper, 294 x 290 cm.
Untitled (from the Circular Series), ed. 3/3, 2016.
Ink on Somerset 300gsm paper, with chine collé silver foil,
84.3 x 84.3 cm.
Rehearsal, 2015.
Aluminium and copper, 406 x 465 cm.
EL ANATSUI
Material Wonder
28 Feburary - 6 April 2019

El Anatsui: Material Wonder marks the 40th anniversary of October Gallery and celebrates the vision and creative force of El Anatsui. The exhibition also coincides with the largest retrospective of the artist’s work to date, El Anatsui: Triumphant Scale, at Haus der Kunst, Munich. Moreover, in February 2019, TSIATSIA – searching for connection was installed in the atrium of Zeitz MOCAA, Cape Town. When this immense work first covered the façade of the Royal Academy, in 2013, the artist won the prestigious Charles Wollaston Award.

El Anatsui is undoubtedly one of the most influential artists of the present time. Throughout his long career, he has focused his many interests to examine a wide range of subjects and explored an extraordinary array of media from cement, ceramics and tropical hardwoods in his early years, to corrugated iron, cassava graters, milk-tin lids and bottle-tops in his later installations. Today, he is best known for his mesmerising works composed of many thousands of aluminium bottle-tops laboriously sewn together.

The metal wall sculptures in the exhibition are accompanied by a series of prints made in collaboration with Factum Arte, Madrid. El Anatsui has always been fascinated by the physical history of the materials he employs and the journeys they undergo. The basic materials for his ‘fabrics’ are made by a team of assistants, who cut and pierce the aluminium strips on tables and smaller wooden ‘flats.’ After years of repetitive pricking and piercing, these wooden worktops present a scored landscape of textured relief. Using Factum Arte’s cutting-edge, 3-D scanning and plate-making technologies, these scarred surfaces are translated into printing plates. Given Factum Arte’s expertise in traditional printmaking, the resulting prints encapsulate the hidden histories of the making of the aluminium works. In this way, the fabrication process itself is ‘recycled’ into a major new series of prints.

view exhibition page
view_artists_page
Huang Xu, Fragment No.3, 2007.
C-type print, 182 x 122 cm
Govinda Sah, Salvation, 2011.
Oil and acrylic on canvas, 148 x 148 cm.
Kenji Yoshida, La Vie , 1994.
Metals and oil on canvas, 51 x 61 cm.
PRESENT MOMENT
Jukhee Kwon, Tian Wei, Huang Xu,
Govinda Sah 'Azad', Kenji Yoshida and
Xu Zhongmin
24 January - 23 February 2019

Present Moment brings together the works of selected artists from Asia including; Jukhee Kwon, Tian Wei, Huang Xu, Govinda Sah ‘Azad’, Kenji Yoshida and Xu Zhongmin. Present Moment brings together artists whose work creates a momentary stillness. Each piece captures a meditative moment of serene lightness.

Present Moment will debut striking new works by South Korean artist Jukhee Kwon. The artist creates works from the printed page. Using abandoned and disused books, she cuts and manipulates pages by hand to create magnificent sculptures.

Tian Wei’s large scale colourful paintings, both theoretically and formally, construct a bridge between things that appear as dyadic opposites, binary poles or complementary pairs through his inclusion of text.

Huang Xu, from China, focuses on a singular object, carefully staged to capture its ethereal beauty as opposed to its meaning within contemporary culture. In his Fragments series he creates large-scale C-prints that explore the fragile nature of the contemporary global economy.

Through painting, Nepalese artist Govinda Sah ‘Azad’ effortlessly balances traditional eastern metaphysical insights about the nature of reality with visual realisations that are in accord with the latest formulations of contemporary western science, Sah imagines a cosmos of boundless possibilities.

Kenji Yoshida’s monumental works consist of ethereal gold, silver and precious metals on canvas which unite a restrained tradition of Japanese appliqué work with that of an abstract modernist aesthetic.

In the exhibited works Chinese artist Xu Zhongmin, uses the traditional technique of wood-block printing with delicately incised lines chiselled in to 'pear wood' blocks. The lines bring to life a series of towering city-scapes, stylised and distorted, but stamped with a range of individual atmospheres passing from bustling movement to quiet serenity

view exhibition page

Tian Wei, Light, 2017.
Iridescent acrylic on canvas, 196 x 177 cm..

Tian Wei, Gold, 2017.
Iridescent acrylic on canvas, 174 x 220 cm.
TIAN WEI
1 November 2018 - 19 January 2019

Tian Wei was born in Xi’an, the first imperial capital of China. Tian Wei left China for Hawaii, in 1986 and in 1990, he completed his MFA in Hawaii.

 Tian Wei’s work constructs a bridge between things that appear as dyadic opposites or binary poles. This perspective of Yin and Yang is embedded in Chinese thinking, and the artist’s frequent reference to Classic texts such as the I Ching (The Book of Changes) and Tao Te Ching appear as quotations in minute script patterning the background upon which larger semi-abstract cursive shapes are drawn. Tian Wei features English words such as ‘Sexy’,‘Light’ and ‘Soul’ in his work, reflecting the artist’s experience of living in both Eastern and Western spheres.

Tian Wei has been the recipient of many prizes. His work has been exhibited both in solo and group shows around the world at institutions such as the Armory Center for the Arts, California; the Guangdong Museum of Art, Beijing and MOCA Shanghai.

Last year, Tian Wei was announced as Artist-in-Residence for the Getty Research Institute 2017 – 2018 residency.

view exhibition page
view_artists_page

   
October Gallery, 24 Old Gloucester Street, Bloomsbury, London WC1N 3AL Tel: + 44 (0)20 7242 7367